‘Just Not the Future’: electronic literature after the fall
Moulthrop, Stuart |
11-20 |
The interlocutor in print and digital fiction: dialogicity, agency, (de-)conventionalization
Ensslin, Astrid |
21-34 |
Remediation of Nouvelles Impressions d’Afrique by Raymond Roussel: functional issue
Bootz, Philippe; Laitano, María Inés; Salceda, Hermes |
35-46 |
Can we (still) speak of a ‘French’ digital literature?
Cronin, Susie |
47-58 |
Machines of Disquiet: textual experience in the LdoD Archive
Pereira, Luís Lucas; Portela, Manuel; Roque, Licínio |
59-71 |
Writing with automated machines: between translation and sabotage
Marques, Ana |
73-81 |
‘Writing for’ with authority: theorizing an electronic edition of Shahriar Mandanipour’s Censoring an Iranian Love Story
Wright, David Thomas Henry |
83-92 |
Inanimate Alice: the story of the series and its impact in Portugal
Machado, Ana Maria; Campbell, Andy; Harper, Ian; Aguilar, Ana Albuquerque e; Oliveira, António |
93-104 |
Cautionary tale: stories made and distributed through the Internet
Leishman, Donna |
105-114 |
Hyperfiction and reading, with examples of electronic processing of Grimms’ fairy tales
Velički, Vladimira; Velički, Damir |
115-128 |
Literacy and reading for the 21st century
Coscarelli, Carla Viana; Ribeiro, Ana Elisa |
129-140 |
Reflections on an immersive virtual reality exhibition
Gobira, Pablo; Mozelli, Antônio |
141-148 |
Co-reading as a generative ontology
Biggs, Simon |
151-163 |
Avant-gardes and the Aleph System: an artistic interface for digital arts
Gobira, Pablo |
165-169 |